
Hebrew Musical Practice in Morocco (Chgouri as a Model)
La musique des juifs marocains
Conférence de Mohammed Elaloui
Conférence en Anglais
La musique des juifs marocains
Conférence de Mohammed Elaloui
Conférence en Anglais
In this cultural symposium, we will examine the sociology of art within the context of Moroccan Jews. Our academic exploration aims to understand the cultural and social dynamics surrounding the artistic practices of Moroccan Jews and their contribution to fostering coexistence between Muslims and Jews. Through critical analysis, we will explore the historical, social, and cultural factors that have shaped the art of Moroccan Jews and its role in cultural preservation and communal cohesion. From an academic perspective, we will investigate how art has facilitated dialogue, empathy, and understanding between the two communities, contributing to interfaith relations and shared cultural heritage. This symposium offers an opportunity for scholarly presentations, interdisciplinary discussions, and deepening our understanding of the transformative potential of art within the Moroccan Jewish community. By embracing the sociology of art, we seek to contribute to ongoing discourse, research, and collaboration promoting mutual respect and understanding. Thank you for joining us on this intellectual journey, unraveling the cultural fabric and societal implications of Moroccan Jewish artistic practices.
The musical genre “Chgouri” has always been associated with the Jews of Andalusia who settled in North Africa. It became famous especially in Morocco, where stars contributed to its development and passed it on to younger generations.
This musical genre is known for its fast pace, danceable music and bold lyrics, which sing of love, uprooting and nostalgia for the beautiful Andalusian era, before the expulsion of Jews and Muslims.
The Chgouri is associated with many Jewish artists from the Maghreb, such as Mssika, and Cheikh El-Afrit in Tunisia; Salim Halali in Algeria; Sami Al-Maghribi, Zahra El-Fassia, Raymond El-Bidawiya and Botbol from Morocco, all famous artists since the 1950s, before this art reached its peak with other artists like Pinhas.
Mohammed Elaloui, PhD researcher, specializing in the sociology of art and music, and cultural anthropology.



